Tag Archives: workshops

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Staging a Miracle

We just wrapped up our two-week Intensive Expressive Arts Workshops at Aadharshila Home for ‘Juveniles in Conflict With Law’, Kingsway Camp. The play that emerged out of these workshops, ‘Aadharshila mein ek din- A day in Aadharshila‘  was performed for the members of Delhi Judicial Academy, Juvenile Justice Board and Child Welfare Committee.

Organised by Delhi Judicial Academy, this presentation was showcased at a seminar on ‘Capacity Building for Other Stakeholders’ and our theme was ‘Understanding Childhood- Dreams, Delinquency and Destitution‘.

This truly was an unforgettable experience for us as well as the boys, who got a chance to perform on stage and share their dreams with the audience present.

Click on the link below to access the Report-

Aadharshila Expressive Arts Workshop Report

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Home-Away Diaries

“बरगद की छांव”, मुझे इस इसकी छाओं में आने का मौका तब मिला जब मैं पहली बार ऑडिशन देने गया,पहले राउंड ऑडिशन के बाद जब मुझे राजन के करैक्टर का ऑडिशन करने के लिए बोला गया तो मैं सोचने लगा की ये कैरेक्टर तो बहोत बेहतरीन है, कई सारे एक्टर्स आये थे ऑडिशन के लिए और मैं इसे करना चाहता था, तो ऑडिशन भी हुआ और मुझे ये करैक्टर करने का मौका भी मिला। फिर 29 जून को हम लोगों को जहांगीर पूरी c ब्लॉक में बुलाया गया ताकि सारे एक्टर्स उस माहौल को समझ पाएं जिस तरह के एरिया की ये कहानी है,और जिस तरह के करैक्टर हम सब करने वाले थे, मुझे इस चीज ने बहोत हेल्प की राजन के करैक्टर को बनाने में। इसी दिन पूरी टीम से मुलाक़ात भी हुई, फिर बरगद की छाओं में की कहानी को जिवंत करने की कोशिश शुरू हुई, और इस प्लेय को बनाते बनाते कुछ अंजान लोग एक परिवार में तब्दील हो गए,और देखते ही देखते 9 सितम्बर यानि वो दिन आ गया जब हमें अपना पहला शो  जुविनाइल होम किंग्सवे कैंप में करना था, यहाँ शो करने का अनुभव बहोत ही बेहतरीन रहा, वहां के बच्चे राजन के कैरेक्टर से ज़्यादा कनेक्ट कर पा रहे थे क्योंकि राजन उनमें से ही एक था, उस दिन राजन को जी कर एक एक्टर के रूप में मुझे बहोत मज़ा आया, राजन के कैरेक्टर को करते हुए मुझे और गहराई से ये समझ आया की कई बार गलत संगत, गलत डिसीजन, और कई बार बिना गलती के भी बच्चों को बहोत बड़ी कीमत चुकानी पड़ती है।

16 सितम्बर को हमने वसंत वैली में शो किया, जो की एक इनडोर ऑडिटोरियम में हुआ यहाँ प्लेय का करने का अनुवभ भी अलग था क्योंकि की यहाँ हमारी ऑडियंस अलग थी ,जगह अलग थी।

स्कॉटलैंड

2014 में युवा एकता के साथ ही मैं शून्य से शिखर नाम का प्लेय करने आया था, और 2016 में बरगद की छाओं में।

यहाँ कई सारे ग्रुप्स आये हुए थे उनकी वर्कशॉप अटेंड की और उनके शो देखे, ये जो एक्सपीरिएंस मुझे यहाँ मिला उसको शब्दों में बयान करना मुश्किल है,किसी भी वर्कशॉप में मैं अंजान लोगों से बड़ी आसानी से कनेक्ट हो जाता था जैसे उनको बहोत पहले से जनता हूँ, मेरे ख्याल से ये ही थिएटर का पॉवर है।

9 अक्टूबर जिसका हम सबको बहोत इंतज़ार था वो दिन भी आ ही गया, ये प्लेय इसी दिन के लिए तैयार किया गया था, शो के दौरान मैंने महसूस किया कि सब लोग एक्टिंग नहीं कर रहे थे सब के सब उन किरदारों को जी रहे थे,उस दिन कुछ मैजिक सा हुआ था, सबने बहोत उम्दा काम किया था, शो के बाद लोगो से बात हुई लोग पर्सनली आ कर स्टोरी के बारे में, किरदारों के बारे में, परफॉरमेंस के बारे में बात कर रहे थे, इससे मुझे ये समझ आया की लोग बरगद की छांव में प्लेय से कनेक्ट हो पाए थे, इस बात का क्रेडिट मेरे हिसाब से  सबसे ज़्यादा हमारे शो की डायरेक्टर पुनीता रॉय मैम को जाता है, जिन्होंने इतनी रियल और बेहतरीन स्टोरी लिखी और साथ ही साथ सारे एक्टर्स को पूरा मौका दिया अपने किरदारों के साथ जस्टिस करने का । और फिर क्रेडिड जाता है हमारी पूरी टीम को,जिन्होंने इस शो को बनाने के लिए बहोत मेहनत की।

मुझे भी इस प्लेय के दौरान अपने किरदार राजन को बनाने के लिए बहोत काम करने का मौका मिला,मैं कई दिनों से कुछ ऐसा काम करना चाहता था, मैं ग्लास्गो ट्रिप के दौरान अपनी टीम को और गहराई से जान पाया, मैंने ये भी महसूस किया कि जब आपके आस पास पॉजिटिव लोग होते हैं तो हम भी पॉजिटिव होते चले जाते हैं और हमारा काम भी बेहतर होता चला जाता  है, मेरी तो पूरी टीम ही पॉजिटिव लोगो से भरी हुई है, मैं अपनी पूरी टीम को थैंक यू कहना चाहता हूँ, मैं National Theater Of Scotland को भी थैंक यू कहना चाहता हूँ जिन्होंने इतना प्यारा, इतना शानदार Home Away फेस्टिवल ऑर्गनाइज किया ।

इस ट्रिप के दौरान मैं घुमा भी और नेचर को थोड़ा और जाना भी, नई नई जगह और लोगो को देख कर लगा की दुनिया में बहोत कुछ है एक्स्प्लोर करने को।

ओवरऑल मुझे एक ऐसा एक्सपीरियंस मिला जो मेरे लिए बहोत अनमोल है, ये मुझे हमेशा याद रहेगा, इस शो का हिस्सा बन कर मैं बहोत लकी फील कर रहा ह और आगे हमे और भी शो करने हैं उसके लिए भी मैं उस्सहित हूँ, इसके लिए युवा एकता फाउंडेशन का जितना भी थैंक किया जाये काम होगा।

Thank you The Yuva Ekta Foundation, Puneeta Maam, Dilip Sir, Mrinalini ma’am and Gilles sir for the opportunity

-Pankaj Gupta plays the character of ‘Rajan’ in ‘Bargad ki Chhaon Mein’, the play that was performed in Glasgow, Scotland as part of Home/Away Festival.

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Experiences with Papier Theatre

My introduction to Papier Theatre – and how I Survived!

Raju, Matia, Sonu… unforgettable characters spring forth from the pages of Shyamal Kumar Pramanik’s short story “Survival”, to share their gnawing hunger and degrading struggle to survive. Not an unfamiliar “Dalit” story. Yet they come home with me every night.

I have signed up for a Papier Theatre workshop for 3 weeks mid March, not actually being a puppeteer! From making documentaries, corporate films and Television programs for 20 years, I had gone back to my first love Theatre and was enjoying exploring its power as a tool to communicate and empower. At the core of it all was the consuming fire of storytelling, and as I realized, the greater the skill of the teller, the more magical the story.

“Alain Lecucq and Nargis Majd are Master Puppeteers, who will be focusing on the dramaturgy of the story, on the “What”, “Why” and “to Whom” you want to communicate with. You would enjoy it”. Anurupa’s words have me hooked!

I send in my application, get an acceptance and for the next 3 weeks, starting 14th March, I jump into my car at 8am and zip down the highway from Gurgaon, to make it on time for the 9:30 workshops at the Crafts Museum. This means no morning walks or exercise but such is my enthusiasm, that everything else is put on hold for 3 weeks. Of course I will pay the price of excruciating cervical pain once we go back to our “normal” lives, but I am so much richer for the experience!

It is an enchanting 3 weeks of stepping into a fairy tale world of make believe and watching it come alive! Starting with making simple paper stages and stories from personal experiences, we are exposed to some mind boggling videos of shows that Alain has done as well some of the most creative and innovative ones from across the world. I remember crawling back to the workshop space feeling most disheartened and almost embarrassed about what we had presented on the first day. The Bar of Excellence has suddenly gone so high, we have not even made our first baby steps!

Alain and Nargis are amazing as they alternate between being teachers, parents, guides and friends, adding to the warm bonhomie that has developed within the group. Starting with 11 participants, 9 of us complete the course, exploring 4 different stories through completely different formats.

My team mate Binitesh and me choose to work on Pramanik’s story “Survival”and spend the first few days diving deep into the themes and sub themes that the story opens up for us. Out of the 5 to 6 strands that seem to flow through the story, we have to crystallise our thoughts to choose one Central idea that will be our touchstone for all the creatives thereafter.

Wading through the complexities the story throws up for each one of us, we struggle to define that simple connecting thread, little realizing how important this will be, in keeping our entire presentation true to our central theme.

As I put pencil to paper and start allowing the story to flow into the storyboard, it comes alive in a way I have not experienced before – so simply and so quickly. I am Raju, fighting against the bitter cold, to feed and protect my wife and son – Matia and Sonu. It is my mother who has died an excruciating death while my father watches helpless in the famine, and I am determined this will not be the fate of my child.

Bini and me discuss, argue, agree, work together, reflect individually, share our thoughts and arrive at a consensus most times. It is fascinating to see a baby being crafted by two completely different individuals, drawn to a common theme, and to see it evolve from paper sketches into human characters as we draw and colour and fix them to cardboard sliders with “spines” glued to their backs.

Our little wooden stage is built by a carpenter simultaneously and as backdrop after backdrop slides into its slot on our stage, the characters or “paper puppets” glide on to share their tale of desperation and sheer grit to stay alive. At our final presentation at the India International Center, we add the magic of sound effects and focussed lighting and I am told that the effect is quite mesmerising. “Where would we be taking this show from here” is a question I am asked by many members of the audience.

Yes, where indeed would I be taking the show? Bini has gone back to Mumbai to teaching at his Film Institute, but I do have Raju and Matia and Sonu with me, who sit in my office room and look at me questioningly everyday! I owe it to them, to Alain and Nargis, to Ranjana and Anurupa, to our wonderful group who worked together and to Bini and me, to keep them alive and introduce them to all those out there who want to receive them.

Ah, the forest beckons and I promise we shall all walk through it again – soon!

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Puneeta Roy is Managing Trustee at the Yuva Ekta Foundation

 

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PLAYBACK THEATRE Workshop with Brian Tasker

The Yuva Ekta Foundation recently organised a three-day theatre workshop on the technique of PLAYBACK THEATRE, conducted by our guest facilitator Brian Tasker. Participants included actors and musicians from diverse backgrounds and organisations.

It was a great learning experience for all of us, and we aspire to set up Yuva Ekta Playback Theatre Group, which will be an integral part of our Community Outreach project at Jahangirpuri.

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A search for Dignity

Slums and Urban Villages have been an ongoing fancy of Social Sciences globally, particularly due to the acute problems of ‘Urbansiation’ they represent. Methodologies and conceptual paradigms have evolved over the years. There has been a steady rise among policy makers, activists and academicians alike, to focus on the idea of community growth and development. To be able to understand politics and social setup in a city like Delhi, requires us now more than ever, to get a firm grip on local political activities in various hinterlands of the city.

Jahangir Puri is one such area, forged carefully on lines of migration, region, religion, caste and class. A perfect microcosm for anyone who goes with the intention of ‘studying’ or ‘understanding’ the ‘other side of urbanisation’. However, we have to be careful not to romanticize our opinion on Jahangir Puri.

The Yuva Ekta Foundation has been trying to build in-roads into the area to start a ‘Community Theatre Program’. This project is a logical extension of our work at the Sewa Kutir Complex, Kingsway Camp, wherein we worked with ‘Juveniles in Conflict with Law’ for the past 5 years. Jahangir Puri has an inglorious reputation for being the bedrock of crime in the city.

Addressing issues specifically related to ‘Youth at Risk’ is a mammoth task. For this purpose, we have decided to take up one specific location in the city and start implementing a few of our ideas.

We have so far been able to fight innumerable barriers present either within ourselves as human beings and activists, or outside of our immediate control, in our ‘system’ (as we like to call it). At the first level, these barriers present us with unending questions about life ‘on the fringes’ and conditions, we in our offices aren’t used to. We begin to accept these questions not as challenges, but enriching experiences, which need to be looked at practically. Thus start our community visits, where we spend hours each day, going to people’s homes and trying to look at their problems empathetically. Most of our own beliefs are shattered for good; breaking inhibitions and creating ground for further work.

At the second level these barriers present us with institutional problems. How do we convince people to be a part of our project? What do we tell them? Are people willing to experiment with ‘Expressive Arts’? Where do we start our workshops? Of course the situation is out of control. Slowly and steadily however the pieces start falling into place. We are able to get people on board as we share our intent with them.

Here we are today, 2 months into the project, rounding up our first phase. Up to now, we have been able to get across to a little more than 60 families, each of whom has shared their ideas as to why they want to join this program. Each household has a story, each captivating enough for us to go keep going back and strengthening our connection.

Our Community Theatre Project is an experiment in ‘Community Centered Expressive Arts’. The idea is to make individuals more aware and involved in their life and surroundings. The challenge for us would be to address critical concerns in people’s lives through techniques like theatre, crafts, dance, music, up-cycling and more. We believe that through this medium, we will also be able to provide a reason for the residents of Jahangir Puri, to come together as one single unit, which can assert its rights and demands, collectively.

In this rather relentless exercise, we hope that as a Foundation, we can learn and grow manifold. The idea is not to impose our views and opinions on residents. We aren’t going there with the intention to ‘help the inferior’ in any possible way. Any inclination to think likewise is foolhardy. We, as facilitators, want to simply share, learn, expand and grow.

We start our second phase in the month of May. Schools are shut, the heat is on, but so is the intensity. We have invited all community stakeholders to participate. The group would be a pulsating unit cutting across age, gender, region, caste and religion. We simply cant wait to get back out there.

- Rijul Kataria works as a Research Coordinator with The Yuva Ekta Foundation.

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Finding me – Jaipur Diaries

The finding me workshop has been one of the most amazing things that I have ever experienced. This has truly changed the way I look at life drastically.

Ten days ago, when I entered the workshop, I did not believe in the fact that we, the youth, had the power of affecting and influencing people and encouraging them to be the better people that they are. This workshop has made me aware that people of my age face all kinds of problems. That mine are not the most important. That I am not the only one. It has taught me that everyone in this world, no matter what their caste, creed, color, shape, size; are the same. That we all think alike and experience the same things.

When we set out to spread this message to the youth, the feeling was wonderful. I realized that helping someone else overcome their flaws or plain accepting themselves and others as they are, is the best thing one can do.

I have realized that we, the youth, can make a great impact on the world, to make it a better place for you and for me.

- Simran Jain from Jayshree Periwal High School was one of the participants of the Youth Outreach workshop at Jaipur Literature Festival 2016

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Theater and Art Workshop at Aadharshila Juvenile Remand Home

In December 2015, the Yuva Ekta Foundation in association with Action Aid facilitated a week- long theater workshop at the Aadharshila observation home for boys. Working with a core group of 40 juveniles, we sought to evoke a sense of dignity and self respect in the boys we were working with, even as we created an opportunity for them to share their stories, so that they could step back and reflect on why they slipped into crime, and henceforth make responsible choices.

We started our workshops with ice-breaking workshops, wherein we connected with the boys using a variety of Theater Games and Physical/Vocal Warm-ups. With the help of activities like ‘Mirror Exercise’, we focused on forming connections within the boys using eye contact.

Once we had established a comfort level with the boys, we used Art and Creative Writing to share their stories and important people in their circles of influence, including their friends, families and society at large.

Our one-week project  culminated in a small performance for all inmates at the home, Honorable Justice Rajiv Shakdher, JJB Magistrate Mr. Vishal Singh, Ms. Sehjo Singh from Action Aid, representatives from CII Foundation, TDH and Delhi Legal service Authority.

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Hum Samaan Hain(Fly)


As part of the SOF music workshop with colleges, students worked on a song about equality and freedom. Hum Samaan Hain is their take on optimism, being pro active and making new beginnings!

After the first day of interacting with Taru Dalmia, Chayan and Ujwal and getting inspired by their work, groups worked with their facilitators on various themes under the umbrella of human rights. Some of the themes that emerged were corruption, gender discrimination and equality. On day two, some groups merged together and combined their work from the first day, and what emerged was this song

One of the most challenging things with this song was combining so many amazing ideas and singers together. The result was an attempt to give each singer and each instrumentalist the space to do what they’re best at.

Hum Samaan Hain:

Hogi subah iss raat ki
Manzil milegi ek din
Zindagi ka kya pata
Raahein hui anjaan si
Saari rasein hain usmein basi
Usmein hain sari pehchaan si
 
Kar liya hain kaafi intezaar
Ab karni hain nayi shuruwaat
 
Stars don’t hide tonight
Keep on shining high
Fly, I’ll fly so high
 
Hum samaan hain