Tag Archives: juveniles in conflict with law

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‘Freedom to Dream’ @ Aadharshila Home

“I want to complete my education and become a big man one day” – Participant, Aadharshila Home

“I have always wanted to help people and with my work, I’ve managed to fulfill that dream” – Member, Child Welfare Committee

Be it the young, or the younger, everyone dreams. Our dreams connect us to our innocence and light, that makes us one with our being.

The Foundation, on August 25, 2017, conducted a Capacity Building workshop at the Delhi Judicial Academy for members of Child Welfare Committee, Juvenile Justice Board and organisations that work in the sphere of Juvenile Law. A small and engaging performance by the boys from the Adharshila Observation Home titled ‘Khwaabon ke Par’, was followed by an Art activity that engaged all stakeholders on one platform and share their dreams with each other.
A magical afternoon turned surreal because of the interactions that helped everyone understand and empathize with one another. It also promised to bring back the same innocence within all participants that helped them remember their lifelong dreams and aspirations. As our country completes 70 glorious years of its independence, we hope to continue our work with ‘Youth at Risk’ and find ways to connect the young ones with their light, their humility and their passion.
We would thanGauri Saxena, Mona Sharma and Pankaj Gupta for making this event possible.  We would also like to thank our guest facilitators Bani MalhotraTavishi Krishna and Ankita Dasgupta for their contribution towards the workshops!
Picture Credits- Aarushi
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Staging a Miracle

We just wrapped up our two-week Intensive Expressive Arts Workshops at Aadharshila Home for ‘Juveniles in Conflict With Law’, Kingsway Camp. The play that emerged out of these workshops, ‘Aadharshila mein ek din- A day in Aadharshila‘  was performed for the members of Delhi Judicial Academy, Juvenile Justice Board and Child Welfare Committee.

Organised by Delhi Judicial Academy, this presentation was showcased at a seminar on ‘Capacity Building for Other Stakeholders’ and our theme was ‘Understanding Childhood- Dreams, Delinquency and Destitution‘.

This truly was an unforgettable experience for us as well as the boys, who got a chance to perform on stage and share their dreams with the audience present.

Click on the link below to access the Report-

Aadharshila Expressive Arts Workshop Report

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The Compassionate Gaze

Last year we began our journey of moving deeper within urban slums and communities in Delhi. Our work with ‘Juveniles in Conflict with Law’ had taken us to a different spectrum of urban life in the city. But it is always important to go back to places that have equipped us to take the next step in the field of Social Arts.

The Adharshila Observation Home for Boys has been that space. It is an area where urbanisation, migration and the law interact at complex levels. The recently amended ‘Juvenile Justice Act’ (2015) has changed the discourse on crime and punishment for years to come. The merits and demerits of the act continue to be heavily debated.

As one of the tenets of punishment, we strongly believe in the power of reformation and the ability of legal institutions to engender change. The Observation Home in Kingsway Camp has been one such institution where this transformation is being realized. All our visits to the home so far have increaseed fatith in our own work and the role Expressive Arts can play in the process of self-learning and self-growth.

This experience has been incredibly satisfying. Although we have been working in the Observation Home for the better part of the decade, the connection with the children this time is special. We started working with a group of 15 inmates in the first week of May towards a workshop that will culminate in a performance at the Delhi Judicial Academy. We are exploring the idea of ‘Dreams, Delinquency and Destitution’ in the context of ‘Youth at Risk’. The time spent so far has also revealed a lot that needs to go in working towards the issue of mental health and diverting public opinion towards a more compassionate gaze.

We started our workshops by introducing the children to basic theatre warm-ups and creative exercises before slowly moving on to ‘childhood dreams and aspirations’. Once we got to this playful core, the task ahead become easier and smoother. Participants shared their stories, circumstances, future goals, inhibitions and restrictions that have shaped their lives today. We also explored enabling oneself to overcome these barriers and look for respect where it matters the most: to the Self.

This connection of course, comes with its own set of challenges and precautions. We do not believe in any hierarchy and genuinely consider this process to be a mutual one.

Expressive Arts is a tool that allows one to go beyond the defined realm of conversation and thought and make room for a deeper probe into issues of identity formation, that the youth struggle with today.

Working at the Home only strengthens our resolve in the core vision of the Foundation, that of equity and social justice. We do hope that this time spent can only pave way for more work in the future that is centred on the idea of healing and empowerment.

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The Banyan at 1AQ

The Yuva Ekta Foundation was at 1AQ on November 18, 2016 to showcase what has become a special performance for everyone involved. The space provided a perfect setting to perform ‘Bargad Ki Chhaon Mein’ quite literally ‘In the Shade of the Banyan’. The lofty Banyan Tree in the middle of the courtyard with its generous canopy of roots and branches, left us all, actors and audience, mesmerised.

Attended by approximately 200 people, the audience for this play included individuals from civil society who are actively engaged in the sphere of ‘Juvenile Justice’. The feedback was encouraging and ever so special coming from members directly associated with the cause. The intent of this gathering was to bring like-minded individuals together under one forum and open out fresh avenues for discussion and deliberation on the issue.

Our use of Expressive Arts as a means to create awareness has expanded exponentially. Through the use of Theatre and the Arts, our engagement with concerns surrounding ‘Youth at Risk’ has equipped us to bring out stories that are more often than not, unheard.

What began as a journey from the Aadharshila Observation Home for Boys, Kingsway Camp, has travelled to Vasant Valley School, New Delhi and The Tramway Theatre, Glasgow, as a part of the Home Away International theatre festival organised by the National Theatre of Scotland. This was our fourth performance of the play this year, and each helped us move forward in our endeavour to use Expressive Arts for Social Change.

We would like to thank Mr. Anubhav Nath and the support staff at 1AQ for opening out their magical space to us and helping facilitate an immersive experience ‘In the Shade of the Banyan’. We would also like to extend our heartfelt gratitude to Teamwork Arts for their constant support!

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Home-Away Diaries

“Only connect!” – E.M. Forster

In times when building walls is being noisily celebrated, art silently labours in creating bridges. It is one of the most satisfying labour one can experience. Theatre being the most hybrid form of expression unearths a world of perspectives and possibilities. It thus has the ability to ignite hope and spirit amongst people, come what may.
My journey with The Yuva Ekta Foundation- working on our play “Bargad Ki Chhaon Mein” (In The Shade of the Banyan) – has helped me grow both as a performer as well as an individual. Reflecting on the entire process of collectively creating this production- from stimulating rounds of auditions, the overwhelming visit to Jahangirpuri (of which the stories we attempt to portray), the number of innovative workshops and the consistent rehearsals- I cannot help but share my absolute delight at being challenged on each step!

One might think of oneself as a performer/ individual of a certain measurable capacity. Then of course there’s the typical “scope for improvement” remark that follows one throughout. But never have I “witnessed” the breaking of limits we set on ourselves like I experienced at The Home Away Festival at The National Theatre of Scotland. Our play totally had a life of its own on the day of the performance! The characters came alive on stage like never before. Was it the energy of the space? The audience? The months of hard work everyone had put in? Yes, yes, and yes. But above all, I think, it was because we all actually believed in the infinity of our potential (both of our play and as individuals) that it became the highlight of the entire journey.

Meeting theatre enthusiasts from across the globe, sharing performances and practices, exploring the breathtaking beauty of landscapes miles and miles away, and bringing back home new friendships and such warm memories is something I will cherish forever.

A big Thank you to our dear director Puneeta Roy, The Yuva Ekta Foundation, Dilip sir and Gilles, Simon Sharkey, The National Theatre of Scotland, and all my fellow cast members of “Bargad Ki Chhaon Mein”.

-Harmanpreet Kaur plays the character ‘Anju’ in the play ‘Bargad Ki Chhaon Mein’ that was showcased at National Theatre of Scotland’s Home Away Festival in Glasgow, Scotland.

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Home-Away Diaries

एक पिंजड़े में जो चिड़िया थी, ये उसकी कहानी है.
जिसके लिए पिंजड़ा ही दुनिया थी
वही सबसे खूबसूरत
वही सबसे गमगीन भी
आसमान के तारे गिने चुने
और मुट्ठी भर ज़मीं ही
रोज़ के दानो का स्वाद
और सुनना बस अपनी ही आवाज़
सिमित थी सिमटी थी पिंजड़े में दुनिया
वो दुनिया जिसे उसने अपना बना लिया था
उस के पर उस पार जाना चाहते तो थे
पर सोच के परे सोचे कैसे
पिंजड़े को तोड़े कैसे
फिर एक दिन कोई आया
दरवाज़ा खोला और चिड़िया को बताया
की चल उड़ चले साथ कही
दुनिया के उस छोर तक
पर फैला सके दम भर के अपने पुरे ज़ोर तक
हिम्मत करी काफिला उड़ चला
आसमान में बढ़ चला
चटाने देखि, पानी देखा
आंधी देखि ,तूफ़ान देखा
सूरज करीब आते देखा
अँधेरा दूर जाते देखा
चिड़ियाओं का बड़ा झुण्ड देखा
कभी रास्ता साफ़ ,कभी धुंद देखा
समझ आया की दुनिया वो रुका पिंजड़ा नहीं
बल्कि पूरी एक रवानी है
एक पिंजड़े में जो चिड़िया थी, ये उसकी कहानी है.

Penning down the experience of travelling to Glasgow is like reliving the moments again but this time with a realization of all the learning’s and knowledge that I have gained during the trip. I have been practicing theatre in Delhi from the past five years but it was for the first time that I have worked with Yuva Ekta Foundation. YEF gave me not only wings to fly abroad but also the very first opportunity to showcase my talent on any international platform. I have travelled across the country many times but trip to Glasgow was my first abroad trip.
This trip was very unique for me because in this trip I experienced many things for the first time, such as flight, ferry, island. Though I enjoyed this trip a lot but what I disliked the most is the food. I missed the Indian food like anything. Thanks to Gurudwara, Glasgow which fulfilled my hunger.
Glasgow is a beautiful, cleanliest and organized city situated on the bank of river Clyde. During this trip I have experienced the difference between two entirely different cultures, culture of East and West. Though here in India we have the city of Tahzeeb however, I witnessed the culture of THANK YOU, the disciplines on roads, there in Glasgow. The patience they have in their lifestyle, the smile they wear on their faces and the will of listening to others; contribute to the beauty of Glasgow as well as Scotland.
I shared my room with the most humorous, spontaneous and happy go lucky kind of person – Rajesh Gandhi ji. In him I found not only a friend but a big brother.
The most relaxing part of this journey was my teammates who by the passage of time has become like family. The best element of family is that family supports, understands and stand by you, whatever comes your way. The family enjoys even the dumbest joke cracked by you because they understand your humor as well as for them you are the priority. This does not mean that family is fake or artificial, it is that they want you to realize that whatever the world think of you but this is a place where your voice will be heard.
Last but not the least, for me this journey would not have been possible without certain people and one of them is Puneeta Roy madam. I thank her and Dilip Shanker Sir for selecting me for the role of Roop Singh.
Thank you all the teammates. I enjoyed the company of all of you.

-Varun played the character ‘Roop Singh’ in the play ‘Bargad Ki Chhaon Mein’ which was performed at the Home Away Festival in Glasgow, Scotland.

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Home-Away Diaries

I have always found it difficult to describe my experiences through words and when the experiences are worthwhile, humongous, beautiful, full of life and positivism, refreshing (well, actually I ran out of objectives), then it makes it even more difficult.

To be honest it was a magical journey. From the auditions till the day we performed at the TRAMWAY on 9th of October, 2016. Never thought that this journey would become an experience of a lifetime. This was my first international trip and I am quite confident about the fact this is just the beginning.

The whole rehearsal process was so enriching, enlightening and informative. All of us were meeting and working for the first time and during the entire process of working professionally how we became family. I learnt so many things and most importantly how to apply those in work. I personally felt growing and evolving as an actor, as well as a person. The approach of our director (Puneeta ma’am) is fabulous; she always allowed each of us to get out of our limits and pushed us for that extra mile. When your director allows you to do that, you actually grow as an actor. She is always like a mother figure to me since Day 1. When you have a bunch of talented people working alongside you quite naturally you challenge your limitations and push yourself.

Meeting so many people from diverse cultures, knowing their culture, talking to them, discussing art and various other things with them increases your craving for more. We all were strangers to each other when we met but we blended in a short span of time. Well, that is exactly what Theatre is all about. Met a bunch of young American group from Chicago and after watching them perform on stage with their music instruments I got inspired heavily. I have decided to learn a music instrument (Ukulele). As an actor I felt that I should have known how to play an instrument. I wish that the festival continued for a few more days.

As I sign off I would say one thing that before the festival commenced I was a different individual and after the festival I am a different person altogether. Thank you The Yuva Ekta Foundation for choosing me and giving an opportunity to learn and perform.

-Amitabh Acharya played the characters  ‘Ashrafi’ and ‘Munim ji’ in the play ‘Bargad Ki Chhaon Mein’. Amitabh is a professional actor and is currently acting in Kingdom of Dreams productions ‘Jhumroo’ and ‘Zangoora’.

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Home-Away Diaries

“बरगद की छांव”, मुझे इस इसकी छाओं में आने का मौका तब मिला जब मैं पहली बार ऑडिशन देने गया,पहले राउंड ऑडिशन के बाद जब मुझे राजन के करैक्टर का ऑडिशन करने के लिए बोला गया तो मैं सोचने लगा की ये कैरेक्टर तो बहोत बेहतरीन है, कई सारे एक्टर्स आये थे ऑडिशन के लिए और मैं इसे करना चाहता था, तो ऑडिशन भी हुआ और मुझे ये करैक्टर करने का मौका भी मिला। फिर 29 जून को हम लोगों को जहांगीर पूरी c ब्लॉक में बुलाया गया ताकि सारे एक्टर्स उस माहौल को समझ पाएं जिस तरह के एरिया की ये कहानी है,और जिस तरह के करैक्टर हम सब करने वाले थे, मुझे इस चीज ने बहोत हेल्प की राजन के करैक्टर को बनाने में। इसी दिन पूरी टीम से मुलाक़ात भी हुई, फिर बरगद की छाओं में की कहानी को जिवंत करने की कोशिश शुरू हुई, और इस प्लेय को बनाते बनाते कुछ अंजान लोग एक परिवार में तब्दील हो गए,और देखते ही देखते 9 सितम्बर यानि वो दिन आ गया जब हमें अपना पहला शो  जुविनाइल होम किंग्सवे कैंप में करना था, यहाँ शो करने का अनुभव बहोत ही बेहतरीन रहा, वहां के बच्चे राजन के कैरेक्टर से ज़्यादा कनेक्ट कर पा रहे थे क्योंकि राजन उनमें से ही एक था, उस दिन राजन को जी कर एक एक्टर के रूप में मुझे बहोत मज़ा आया, राजन के कैरेक्टर को करते हुए मुझे और गहराई से ये समझ आया की कई बार गलत संगत, गलत डिसीजन, और कई बार बिना गलती के भी बच्चों को बहोत बड़ी कीमत चुकानी पड़ती है।

16 सितम्बर को हमने वसंत वैली में शो किया, जो की एक इनडोर ऑडिटोरियम में हुआ यहाँ प्लेय का करने का अनुवभ भी अलग था क्योंकि की यहाँ हमारी ऑडियंस अलग थी ,जगह अलग थी।

स्कॉटलैंड

2014 में युवा एकता के साथ ही मैं शून्य से शिखर नाम का प्लेय करने आया था, और 2016 में बरगद की छाओं में।

यहाँ कई सारे ग्रुप्स आये हुए थे उनकी वर्कशॉप अटेंड की और उनके शो देखे, ये जो एक्सपीरिएंस मुझे यहाँ मिला उसको शब्दों में बयान करना मुश्किल है,किसी भी वर्कशॉप में मैं अंजान लोगों से बड़ी आसानी से कनेक्ट हो जाता था जैसे उनको बहोत पहले से जनता हूँ, मेरे ख्याल से ये ही थिएटर का पॉवर है।

9 अक्टूबर जिसका हम सबको बहोत इंतज़ार था वो दिन भी आ ही गया, ये प्लेय इसी दिन के लिए तैयार किया गया था, शो के दौरान मैंने महसूस किया कि सब लोग एक्टिंग नहीं कर रहे थे सब के सब उन किरदारों को जी रहे थे,उस दिन कुछ मैजिक सा हुआ था, सबने बहोत उम्दा काम किया था, शो के बाद लोगो से बात हुई लोग पर्सनली आ कर स्टोरी के बारे में, किरदारों के बारे में, परफॉरमेंस के बारे में बात कर रहे थे, इससे मुझे ये समझ आया की लोग बरगद की छांव में प्लेय से कनेक्ट हो पाए थे, इस बात का क्रेडिट मेरे हिसाब से  सबसे ज़्यादा हमारे शो की डायरेक्टर पुनीता रॉय मैम को जाता है, जिन्होंने इतनी रियल और बेहतरीन स्टोरी लिखी और साथ ही साथ सारे एक्टर्स को पूरा मौका दिया अपने किरदारों के साथ जस्टिस करने का । और फिर क्रेडिड जाता है हमारी पूरी टीम को,जिन्होंने इस शो को बनाने के लिए बहोत मेहनत की।

मुझे भी इस प्लेय के दौरान अपने किरदार राजन को बनाने के लिए बहोत काम करने का मौका मिला,मैं कई दिनों से कुछ ऐसा काम करना चाहता था, मैं ग्लास्गो ट्रिप के दौरान अपनी टीम को और गहराई से जान पाया, मैंने ये भी महसूस किया कि जब आपके आस पास पॉजिटिव लोग होते हैं तो हम भी पॉजिटिव होते चले जाते हैं और हमारा काम भी बेहतर होता चला जाता  है, मेरी तो पूरी टीम ही पॉजिटिव लोगो से भरी हुई है, मैं अपनी पूरी टीम को थैंक यू कहना चाहता हूँ, मैं National Theater Of Scotland को भी थैंक यू कहना चाहता हूँ जिन्होंने इतना प्यारा, इतना शानदार Home Away फेस्टिवल ऑर्गनाइज किया ।

इस ट्रिप के दौरान मैं घुमा भी और नेचर को थोड़ा और जाना भी, नई नई जगह और लोगो को देख कर लगा की दुनिया में बहोत कुछ है एक्स्प्लोर करने को।

ओवरऑल मुझे एक ऐसा एक्सपीरियंस मिला जो मेरे लिए बहोत अनमोल है, ये मुझे हमेशा याद रहेगा, इस शो का हिस्सा बन कर मैं बहोत लकी फील कर रहा ह और आगे हमे और भी शो करने हैं उसके लिए भी मैं उस्सहित हूँ, इसके लिए युवा एकता फाउंडेशन का जितना भी थैंक किया जाये काम होगा।

Thank you The Yuva Ekta Foundation, Puneeta Maam, Dilip Sir, Mrinalini ma’am and Gilles sir for the opportunity

-Pankaj Gupta plays the character of ‘Rajan’ in ‘Bargad ki Chhaon Mein’, the play that was performed in Glasgow, Scotland as part of Home/Away Festival.

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Home-Away Diaries

Working as the Creative Partner between National Theatre of Scotland and Yuva Ekta allowed me the unique position to visit rehearsals and performances of the production. From the early rehearsals I attended it was apparent that the work being created and presented was of a high standard with care being taken not only to find the most appropriate performers but also creative collaborators to tell this important story.

I was lucky to meet the head teachers of the some of the schools who were familiar with Yuva Ekta and their work. They were incredibly excited and supportive of the story being told and the voices being heard within this production. The cast were incredibly sensitive to doing justice to the material and where these stories had generated from. A great deal of the rehearsal process was used to find and play the truth of the situations and were expertly led by Puneeta Roy. A great deal of time and effort was put into creating a quality production that would speak to audience, regardless of language.

Watching the show happen in Vasant Valley School prior to the Glasgow production was incredibly exciting. Hearing the audience applaud, laugh, gasp and finally stunned in silence was a powerful experience. The silence soon turned to excitement as the young audience crowded Puneeta, the director and the cast to ask more questions about the process and the material. For many, this was an introduction to a new understanding of how some people in their city live. The play translated so well as part of the Home/Away festival. The character led and political story brought a slice of New Delhi to Glasgow but drew many comparisons to discussions and social issues relevant worldwide today. The humour and tragedy of the story translated (apparently) effortlessly. The huge amount of work taken out by the cast and creative team produced an exceptional performance showcasing the many talents that where on and off stage.

- Fraser MacLeod is Creative Learning Coordinator, National Theatre of Scotland. Fraser was Creative from NTS who visited us during our Development Process in July and came back for our Home Performance in September.