एक पिंजड़े में जो चिड़िया थी, ये उसकी कहानी है.
जिसके लिए पिंजड़ा ही दुनिया थी
वही सबसे खूबसूरत
वही सबसे गमगीन भी
आसमान के तारे गिने चुने
और मुट्ठी भर ज़मीं ही
रोज़ के दानो का स्वाद
और सुनना बस अपनी ही आवाज़
सिमित थी सिमटी थी पिंजड़े में दुनिया
वो दुनिया जिसे उसने अपना बना लिया था
उस के पर उस पार जाना चाहते तो थे
पर सोच के परे सोचे कैसे
पिंजड़े को तोड़े कैसे
फिर एक दिन कोई आया
दरवाज़ा खोला और चिड़िया को बताया
की चल उड़ चले साथ कही
दुनिया के उस छोर तक
पर फैला सके दम भर के अपने पुरे ज़ोर तक
हिम्मत करी काफिला उड़ चला
आसमान में बढ़ चला
चटाने देखि, पानी देखा
आंधी देखि ,तूफ़ान देखा
सूरज करीब आते देखा
अँधेरा दूर जाते देखा
चिड़ियाओं का बड़ा झुण्ड देखा
कभी रास्ता साफ़ ,कभी धुंद देखा
समझ आया की दुनिया वो रुका पिंजड़ा नहीं
बल्कि पूरी एक रवानी है
एक पिंजड़े में जो चिड़िया थी, ये उसकी कहानी है.
Penning down the experience of travelling to Glasgow is like reliving the moments again but this time with a realization of all the learning’s and knowledge that I have gained during the trip. I have been practicing theatre in Delhi from the past five years but it was for the first time that I have worked with Yuva Ekta Foundation. YEF gave me not only wings to fly abroad but also the very first opportunity to showcase my talent on any international platform. I have travelled across the country many times but trip to Glasgow was my first abroad trip.
This trip was very unique for me because in this trip I experienced many things for the first time, such as flight, ferry, island. Though I enjoyed this trip a lot but what I disliked the most is the food. I missed the Indian food like anything. Thanks to Gurudwara, Glasgow which fulfilled my hunger.
Glasgow is a beautiful, cleanliest and organized city situated on the bank of river Clyde. During this trip I have experienced the difference between two entirely different cultures, culture of East and West. Though here in India we have the city of Tahzeeb however, I witnessed the culture of THANK YOU, the disciplines on roads, there in Glasgow. The patience they have in their lifestyle, the smile they wear on their faces and the will of listening to others; contribute to the beauty of Glasgow as well as Scotland.
I shared my room with the most humorous, spontaneous and happy go lucky kind of person – Rajesh Gandhi ji. In him I found not only a friend but a big brother.
The most relaxing part of this journey was my teammates who by the passage of time has become like family. The best element of family is that family supports, understands and stand by you, whatever comes your way. The family enjoys even the dumbest joke cracked by you because they understand your humor as well as for them you are the priority. This does not mean that family is fake or artificial, it is that they want you to realize that whatever the world think of you but this is a place where your voice will be heard.
Last but not the least, for me this journey would not have been possible without certain people and one of them is Puneeta Roy madam. I thank her and Dilip Shanker Sir for selecting me for the role of Roop Singh.
Thank you all the teammates. I enjoyed the company of all of you.
-Varun played the character ‘Roop Singh’ in the play ‘Bargad Ki Chhaon Mein’ which was performed at the Home Away Festival in Glasgow, Scotland.
I have always found it difficult to describe my experiences through words and when the experiences are worthwhile, humongous, beautiful, full of life and positivism, refreshing (well, actually I ran out of objectives), then it makes it even more difficult.
To be honest it was a magical journey. From the auditions till the day we performed at the TRAMWAY on 9th of October, 2016. Never thought that this journey would become an experience of a lifetime. This was my first international trip and I am quite confident about the fact this is just the beginning.
The whole rehearsal process was so enriching, enlightening and informative. All of us were meeting and working for the first time and during the entire process of working professionally how we became family. I learnt so many things and most importantly how to apply those in work. I personally felt growing and evolving as an actor, as well as a person. The approach of our director (Puneeta ma’am) is fabulous; she always allowed each of us to get out of our limits and pushed us for that extra mile. When your director allows you to do that, you actually grow as an actor. She is always like a mother figure to me since Day 1. When you have a bunch of talented people working alongside you quite naturally you challenge your limitations and push yourself.
Meeting so many people from diverse cultures, knowing their culture, talking to them, discussing art and various other things with them increases your craving for more. We all were strangers to each other when we met but we blended in a short span of time. Well, that is exactly what Theatre is all about. Met a bunch of young American group from Chicago and after watching them perform on stage with their music instruments I got inspired heavily. I have decided to learn a music instrument (Ukulele). As an actor I felt that I should have known how to play an instrument. I wish that the festival continued for a few more days.
As I sign off I would say one thing that before the festival commenced I was a different individual and after the festival I am a different person altogether. Thank you The Yuva Ekta Foundation for choosing me and giving an opportunity to learn and perform.
-Amitabh Acharya played the characters ‘Ashrafi’ and ‘Munim ji’ in the play ‘Bargad Ki Chhaon Mein’. Amitabh is a professional actor and is currently acting in Kingdom of Dreams productions ‘Jhumroo’ and ‘Zangoora’.
“बरगद की छांव”, मुझे इस इसकी छाओं में आने का मौका तब मिला जब मैं पहली बार ऑडिशन देने गया,पहले राउंड ऑडिशन के बाद जब मुझे राजन के करैक्टर का ऑडिशन करने के लिए बोला गया तो मैं सोचने लगा की ये कैरेक्टर तो बहोत बेहतरीन है, कई सारे एक्टर्स आये थे ऑडिशन के लिए और मैं इसे करना चाहता था, तो ऑडिशन भी हुआ और मुझे ये करैक्टर करने का मौका भी मिला। फिर 29 जून को हम लोगों को जहांगीर पूरी c ब्लॉक में बुलाया गया ताकि सारे एक्टर्स उस माहौल को समझ पाएं जिस तरह के एरिया की ये कहानी है,और जिस तरह के करैक्टर हम सब करने वाले थे, मुझे इस चीज ने बहोत हेल्प की राजन के करैक्टर को बनाने में। इसी दिन पूरी टीम से मुलाक़ात भी हुई, फिर बरगद की छाओं में की कहानी को जिवंत करने की कोशिश शुरू हुई, और इस प्लेय को बनाते बनाते कुछ अंजान लोग एक परिवार में तब्दील हो गए,और देखते ही देखते 9 सितम्बर यानि वो दिन आ गया जब हमें अपना पहला शो जुविनाइल होम किंग्सवे कैंप में करना था, यहाँ शो करने का अनुभव बहोत ही बेहतरीन रहा, वहां के बच्चे राजन के कैरेक्टर से ज़्यादा कनेक्ट कर पा रहे थे क्योंकि राजन उनमें से ही एक था, उस दिन राजन को जी कर एक एक्टर के रूप में मुझे बहोत मज़ा आया, राजन के कैरेक्टर को करते हुए मुझे और गहराई से ये समझ आया की कई बार गलत संगत, गलत डिसीजन, और कई बार बिना गलती के भी बच्चों को बहोत बड़ी कीमत चुकानी पड़ती है।
16 सितम्बर को हमने वसंत वैली में शो किया, जो की एक इनडोर ऑडिटोरियम में हुआ यहाँ प्लेय का करने का अनुवभ भी अलग था क्योंकि की यहाँ हमारी ऑडियंस अलग थी ,जगह अलग थी।
2014 में युवा एकता के साथ ही मैं शून्य से शिखर नाम का प्लेय करने आया था, और 2016 में बरगद की छाओं में।
यहाँ कई सारे ग्रुप्स आये हुए थे उनकी वर्कशॉप अटेंड की और उनके शो देखे, ये जो एक्सपीरिएंस मुझे यहाँ मिला उसको शब्दों में बयान करना मुश्किल है,किसी भी वर्कशॉप में मैं अंजान लोगों से बड़ी आसानी से कनेक्ट हो जाता था जैसे उनको बहोत पहले से जनता हूँ, मेरे ख्याल से ये ही थिएटर का पॉवर है।
9 अक्टूबर जिसका हम सबको बहोत इंतज़ार था वो दिन भी आ ही गया, ये प्लेय इसी दिन के लिए तैयार किया गया था, शो के दौरान मैंने महसूस किया कि सब लोग एक्टिंग नहीं कर रहे थे सब के सब उन किरदारों को जी रहे थे,उस दिन कुछ मैजिक सा हुआ था, सबने बहोत उम्दा काम किया था, शो के बाद लोगो से बात हुई लोग पर्सनली आ कर स्टोरी के बारे में, किरदारों के बारे में, परफॉरमेंस के बारे में बात कर रहे थे, इससे मुझे ये समझ आया की लोग बरगद की छांव में प्लेय से कनेक्ट हो पाए थे, इस बात का क्रेडिट मेरे हिसाब से सबसे ज़्यादा हमारे शो की डायरेक्टर पुनीता रॉय मैम को जाता है, जिन्होंने इतनी रियल और बेहतरीन स्टोरी लिखी और साथ ही साथ सारे एक्टर्स को पूरा मौका दिया अपने किरदारों के साथ जस्टिस करने का । और फिर क्रेडिड जाता है हमारी पूरी टीम को,जिन्होंने इस शो को बनाने के लिए बहोत मेहनत की।
मुझे भी इस प्लेय के दौरान अपने किरदार राजन को बनाने के लिए बहोत काम करने का मौका मिला,मैं कई दिनों से कुछ ऐसा काम करना चाहता था, मैं ग्लास्गो ट्रिप के दौरान अपनी टीम को और गहराई से जान पाया, मैंने ये भी महसूस किया कि जब आपके आस पास पॉजिटिव लोग होते हैं तो हम भी पॉजिटिव होते चले जाते हैं और हमारा काम भी बेहतर होता चला जाता है, मेरी तो पूरी टीम ही पॉजिटिव लोगो से भरी हुई है, मैं अपनी पूरी टीम को थैंक यू कहना चाहता हूँ, मैं National Theater Of Scotland को भी थैंक यू कहना चाहता हूँ जिन्होंने इतना प्यारा, इतना शानदार Home Away फेस्टिवल ऑर्गनाइज किया ।
इस ट्रिप के दौरान मैं घुमा भी और नेचर को थोड़ा और जाना भी, नई नई जगह और लोगो को देख कर लगा की दुनिया में बहोत कुछ है एक्स्प्लोर करने को।
ओवरऑल मुझे एक ऐसा एक्सपीरियंस मिला जो मेरे लिए बहोत अनमोल है, ये मुझे हमेशा याद रहेगा, इस शो का हिस्सा बन कर मैं बहोत लकी फील कर रहा ह और आगे हमे और भी शो करने हैं उसके लिए भी मैं उस्सहित हूँ, इसके लिए युवा एकता फाउंडेशन का जितना भी थैंक किया जाये काम होगा।
Thank you The Yuva Ekta Foundation, Puneeta Maam, Dilip Sir, Mrinalini ma’am and Gilles sir for the opportunity
-Pankaj Gupta plays the character of ‘Rajan’ in ‘Bargad ki Chhaon Mein’, the play that was performed in Glasgow, Scotland as part of Home/Away Festival.
What an extraordinary journey it has been for all of us since we embarked on our Bargad project!
It was mid June when our auditions began. Selecting a cast of 13 was a daunting task but we have been fortunate to have assembled a group of actors who connected with our vision for the play, and contributed their energy and love.
Two and a half months of intense rehearsal included visits to the slum re-settlement colony that formed our inspiration for the play. Come September and we were ready to test the waters with home audiences.
9th September. The first port of call was the Juvenile Remand Home in North Delhi, where we began our Expressive Arts work 7 years ago. We were especially keen to see their response since some of the characters in the play were drawn straight from our experiences in the home.
150 young boys from the ages 16 – 18 years along with their welfare officers, the Superintendent of the Home as well as the Principal Magistrate formed our audience.
Their response was overwhelming. As we opened up the session for feedback and discussion with the boys, they stood up and shared how closely they could identify with the play. They particularly related to Rajan, one of the characters in the play who is a repeat offender and is caught in the web of crime from a young age. In fact , in every scene of his performance, Rajan’s entry was met by cheers from the crowd! We also received encouraging feedback from the staff at the Home.
16th September. A week later. We took the show to Vasant Valley School, an elite up market institution, whose students did not have much exposure to the world of juveniles or crime.
As the lights faded out at the end of the performance, there was complete silence in the hall. The students looked in an absolute state of shock after the play. It was an alien universe for them, and the characters’ reality very different from their reality. As they started to leave the hall, we were suddenly surrounded by a group of 35 – 40 students and teachers, with innumerable questions about the characters, stories and scenarios that were part of the performance. Some of them were very keen to volunteer with us and visit the Juvenile Remand Home.
Both shows left us with a sense of satisfaction as well as urgency – to reach out to more audiences, to go deeper into our characters, to explore these realities more and more.
We are now packed for Glasgow and are looking forward to our show on the 9th of October. When we return home, we will reach out to more diverse communities and use this as a platform to initiate constructive discussions.
Photo Credits- The Yuva Ekta Foundation, Subhadra Kamath and Trina Shankar
The Yuva Ekta Foundation has been selected to represent India at the National Theatre of Scotland’s first worldwide programme of participatory performing arts- Home/Away
This project culminates in a festival of performance for a public audience, including a symposium for the international participatory arts community, and will take place in Glasgow, Scotland in October this year.
While we are still in the process of raising funds for this project, we have already started rehearsals for the play ‘Bargad ki chhaon mein – In the shade of the banyan’. For the Foundation this is an organic extension of our work at the Aadharshila Juvenile Remand home, since many of the inmates we have worked with have their homes in Jahangirpuri.
Introducing the final cast for our play ‘Bargad Ki Chaaon Mein – In the shade of the Banyan’ which is inspired by life in Jahangirpuri – a resettlement colony in North Delhi. Rehearsals have begun in full swing.
Top row (left to right): Amber Sahni, Gayatri Sharma, Prateek Kapoor, Khursheed Ali, Varun, and Shivam Khanna
Bottom row (left to right): Amitabh Acharya, Harmanpreet Kaur, Keshav Sadhna, Puneet Sikka, Rajesh Gandhi, and Pankaj
The Yuva Ekta Foundation recently organised a three-day theatre workshop on the technique of PLAYBACK THEATRE, conducted by our guest facilitator Brian Tasker. Participants included actors and musicians from diverse backgrounds and organisations.
It was a great learning experience for all of us, and we aspire to set up Yuva Ekta Playback Theatre Group, which will be an integral part of our Community Outreach project at Jahangirpuri.
Slums and Urban Villages have been an ongoing fancy of Social Sciences globally, particularly due to the acute problems of ‘Urbansiation’ they represent. Methodologies and conceptual paradigms have evolved over the years. There has been a steady rise among policy makers, activists and academicians alike, to focus on the idea of community growth and development. To be able to understand politics and social setup in a city like Delhi, requires us now more than ever, to get a firm grip on local political activities in various hinterlands of the city.
Jahangir Puri is one such area, forged carefully on lines of migration, region, religion, caste and class. A perfect microcosm for anyone who goes with the intention of ‘studying’ or ‘understanding’ the ‘other side of urbanisation’. However, we have to be careful not to romanticize our opinion on Jahangir Puri.
The Yuva Ekta Foundation has been trying to build in-roads into the area to start a ‘Community Theatre Program’. This project is a logical extension of our work at the Sewa Kutir Complex, Kingsway Camp, wherein we worked with ‘Juveniles in Conflict with Law’ for the past 5 years. Jahangir Puri has an inglorious reputation for being the bedrock of crime in the city.
Addressing issues specifically related to ‘Youth at Risk’ is a mammoth task. For this purpose, we have decided to take up one specific location in the city and start implementing a few of our ideas.
We have so far been able to fight innumerable barriers present either within ourselves as human beings and activists, or outside of our immediate control, in our ‘system’ (as we like to call it). At the first level, these barriers present us with unending questions about life ‘on the fringes’ and conditions, we in our offices aren’t used to. We begin to accept these questions not as challenges, but enriching experiences, which need to be looked at practically. Thus start our community visits, where we spend hours each day, going to people’s homes and trying to look at their problems empathetically. Most of our own beliefs are shattered for good; breaking inhibitions and creating ground for further work.
At the second level these barriers present us with institutional problems. How do we convince people to be a part of our project? What do we tell them? Are people willing to experiment with ‘Expressive Arts’? Where do we start our workshops? Of course the situation is out of control. Slowly and steadily however the pieces start falling into place. We are able to get people on board as we share our intent with them.
Here we are today, 2 months into the project, rounding up our first phase. Up to now, we have been able to get across to a little more than 60 families, each of whom has shared their ideas as to why they want to join this program. Each household has a story, each captivating enough for us to go keep going back and strengthening our connection.
Our Community Theatre Project is an experiment in ‘Community Centered Expressive Arts’. The idea is to make individuals more aware and involved in their life and surroundings. The challenge for us would be to address critical concerns in people’s lives through techniques like theatre, crafts, dance, music, up-cycling and more. We believe that through this medium, we will also be able to provide a reason for the residents of Jahangir Puri, to come together as one single unit, which can assert its rights and demands, collectively.
In this rather relentless exercise, we hope that as a Foundation, we can learn and grow manifold. The idea is not to impose our views and opinions on residents. We aren’t going there with the intention to ‘help the inferior’ in any possible way. Any inclination to think likewise is foolhardy. We, as facilitators, want to simply share, learn, expand and grow.
We start our second phase in the month of May. Schools are shut, the heat is on, but so is the intensity. We have invited all community stakeholders to participate. The group would be a pulsating unit cutting across age, gender, region, caste and religion. We simply cant wait to get back out there.
- Rijul Kataria works as a Research Coordinator with The Yuva Ekta Foundation.
A new experience is always a delight but I must say that this one was the best. The 6 days I spent at the workshop were a great step to find myself and it made me aware about social problems and made me more confident and also I was able to understand that one person is enough to change things.
Being a part if this programme changed my perspective towards others and myself. I usually set prejudices for people but now I am beginning to realize that we can never judge a person without knowing him or her. Also, I realized that the most important thing in life is knowing who you are and accepting yourself with all your flaws.
When we interacted with students from different schools , we realized that many students were able to relate their lives with the scenes of our play and they said that we inspired them. This comment made me understand the power that we, the young generation possess and if we are determined we can definitely change all the ill practices around us and make the world a better place.
- Malya Sharma is from Rulmani Birla Modern High School and she was one of the 47 participants of our Youth Outreach workshops at Jaipur Literature Festival, 2016
On a cold wintry morning of Makar Sankrant, as the city of Jaipur woke up to a Festival of Kite flying, 47 young people made their way to a basement in Jayshree Periwal High School, to begin a journey that explored their sense of Identity and Self Esteem over the next 10 days.
For the 8th consecutive year, The Yuva Ekta Foundation in association with Teamwork Arts, took forward its program on Social Justice and Equity, integrating rural youth in Rajasthan with their more privileged urban counter parts, through a six day theater workshop on the theme ‘Finding Me ‘ – a search for identity, a search for self.
The workshops began on January 15th at Jayshree Periwal High School, where a bunch of 47 vibrant teenagers interacted with each other for the first time. The participants came from places in Rajasthan as far off as Lakshmangarh, Abu Road, Kumbhalgarh and homes on the outskirts of Jaipur, to share space, energy and experiences with privileged young people from prestigious public and IB schools in Jaipur.
Some had left their villages for the first time and were wide eyed in a big city like Jaipur. Pooja Kumari, Nisha, Reena and Raveena from Doosra Dashak on Abu Road were elated that they did not have to walk miles to fill water before they left for school and were now soaking in stories they would take back home to share!
For Barkha, Devesh, Sai, Radhika and Simran, students of Jayshree Periwal High School, this was a slice of life jumping straight out of their geography books! Well heeled and well travelled, it was a reality check for them to come to terms with the fact that despite all the technological advancements they are familiar with in our metropolitan cities, there are still large chunks of our country where inequity and social injustice are rampant.
What followed was 6 days of exploration and expansion where, with brutal honesty, we explored issues of peer pressure, bullying, body image and all forms of discrimination. The focus was on according dignity and respect to the ‘other’, no matter how different they are from you.
The sharing between the young participants went beyond names and addresses, into dreams and aspirations, the similarities surprising those present, that despite such diverse backgrounds, they were so tuned into each other. Each one was encouraged to speak and to share without fear. What evolved was an interactive performance- ‘Finding Me- Meri Pehchaan’.
Our performances started on 21st January at SJ Public School and before we knew it, we’d covered over 8 schools in all – Seedling Public School, Rukmani Birla Modern High School, Sadhu Vasvani Public School, DAV Sr. Sec. Public School, Gyan Vihar Public School, Jayshree Periwal High School and MGD Girls’ School.
The audience response was instant, painfully honest. Students broke down, expressed their fears, accepted their mistakes, apologized for bullying others publically and wrote to us expressing their gratitude and humility.
On 24th January, ‘Finding Me’ was performed in Bandhali Dhani, Khonagoria Gaon District Community Grounds. Moving from schools into a community felt like a seamless transition, marking a learning curve in this journey. Our interaction with this audience, primarily a conservative Muslim community, was a little more special, a bit more intimate. Hesitant at first, young people and parents from the community shared their feelings with us about the need to bring about change in their lives and surroundings, by being more progressive in their outlook.
On 25th January, after performing in 9 Schools and 1 community, the play was presented at the prestigious Jaipur Literature Festival Grounds. It was invigorating for the participants to perform in front of an eclectic mix of people from different cultures, different backgrounds. The audience enthusiasm reinforced the universality of the issues that the play presented.
‘Finding Me’ has been finding places where it has been leaving its mark. Through our Outreach we have interacted with more than 2500 individuals, including school students, teachers, community members and JLF visitors. Responses to our workshop and performances continue to reach us.
- Jayshree Periwal High School
- Jayshree Periwal International School
- Maharani Gayatri Devi Girls’ School
- Sawai Man Singh Vidyalaya
- Rukmini Birla Modern High School
- Digantar, Jaipur
- Doosra Dashak, Lakshmangarh & Alwar
- Jan Chetna Sansthan, Abu Road
- Buniyad Sansthan, Kumbhalgarh