puneeta-roy

Director’s Note

“Didi (sister), will you bring me a Tulsi (basil) plant on your next visit? The Tulsi is sacred; I will put it in my mandir (temple).”

This is the summer of 2009. We are at the Observation Home for Boys at Kingsway Camp, Delhi, surrounded by 25 juvenile offenders who have come to attend my Remedial Drama workshop. We are discussing dreams and aspirations and as the boys share their stories, Rahul asks me for a basil plant.

Robbery, Murder, Rape, Extortion – their crimes are brutal.                Each boy feels falsely implicated, believes that the system is working against him. Most come from dysfunctional families, have no Role Models, no Heroes who can inspire them to find a way out of the horrific entanglement of drugs, alcohol and crime.

Our challenge is to make them aware of their choices in every situation, choices that will empower rather than debilitate them. We begin using the tools of Theatre and Expressive Arts and every few months a new intervention convinces me of the possibilities of a new start to these young lives.

This is the space from where our play “Bargad Ki Chhaon Mein” is born. Questioning the ever-widening chasm between the marginalized and the privileged, demanding accountability from a society that aspires more for Mercs and Mobiles rather than a qualitative education for all.

We have begun to work at a resettlement slum close by where many juveniles live and as I try to understand complex migration issues, I sometimes falter, grow weary. And then I remember my first conversation with Rahul, seven years ago.

“Rahul, tell me then, where does your God reside?”                                           “In the temple that is within my heart!” he answers.                                       “And when you pick up a knife to kill, where does your God go?” I ask. “Didi, the doors of my temple were open long before and my God has left me. I am still waiting for him to return!”

The Banyan is a healing tree, with a loving, protective aura that embraces all with its grace.  Our play attempts to re-create this magical, expansive space in which everyone is welcome.

- Puneeta Roy, Managing Trustee – The Yuva Ekta Foundation, is Writer and Director for the play- ‘Bargad Ki Chhaon Mein- In the shade of the Banyan’ which will be travelling to Glasgow, Scotland in early October as part of National Theatre of Scotland’s project HOME AWAY.

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